Phonotactic

Phonotactic

ww.phonotactic.com/Bio.html

Byron Fredrick (aka Phonotactic) is a musician/producer involved in the Calgary music scene since the 1990s. Playing keyboards and bass in local bands (most notably Double U-I, Difference Engine, Wheel, Tariq and Strugglah) Fredrick's projects have taken him over a wide musical landscape including Reggae, Soca, Rock, Funk, and Electronic.In 2002, Fredrick committed to becoming more involved in production blending the styles he grew up playing with electronic beats and textures. With one foot in old world techniques and the other in the new, his production skills explore the musical terrains of Dub infused Down-tempo and Deep/Tech-House. Capturing the essence of Fredrick's journey as Phonotactic, a four song EP "Use Your Talent (If You Can)" was released independently in 2006 and on Real Recordz (an indie label out of Italy) in 2007.July 2012 saw the follow up release of the EP "In a Solid State" featuring Richard Sixto (saxophonist and MC from Difference Engine) on vocals once again touching on the musical co-ordinates of Dub, DnB and Tech-house.The next 4 years saw Fredrick continuing to compose and play out live whether it was at events he curated in Calgary showcasing artists he met at festivals in Western Canada including Inshala (AB), Motion Notion (BC), Bulkley Valley Music festival (Smithers BC), Sequential Circus (Vancouver) and Beakernight (the wind up party for the Beakerhead art and science festival in Calgary). Hard at work on his EP entitled "Master Data" slated for a Fall 2017 release, Phonotactic will present an EP focused on his dubby "digital sleng-teng 2.0” sound developed equally at live shows and from studio experimentation over the past 3 years. Listen to the track Daylight from the EP via this SoundCloud link:https://soundcloud.com/phonotactic/daylight-mp3-forthcoming-ep-master-dataAt performances, audiences can expect a mixed tempo set starting deeply dubbed out gradually reaching a deep tech house destination. Expect both broken and 4 on the floor beats, a Rhodes lick here, a TB 303 groove there, bass... lots of bass... with deep synthpads from Operator's [Ableton’s] soundbank to bridge the gap between the old school and the new. All the while channeling his inner Lee "Scratch" Perry riding feedback loops created by delay upon delay.For more information contact Byron Fredrick at:phonotactic@telus.net